NEWSLETTER | VOL. 63, July 2026
Welcome to this month’s edition of The Hollywood 360 Newsletter, your place to get all the news on upcoming shows, schedule and interesting facts from your H360 team!
Carl’s Corner
by Carl Amari
THE MAN CALLED X
starring Herbert Marshall by Carl Amari and Martin Grams
In 1944 when The Man Called X premiered on CBS, Ken Thurston — the agent with the mysterious codename — soon had listeners glued to their radios. Thurston, working for an unnamed superior and an organization referred to simply as “the Bureau” accepted his U.S. Government assignments without question and jetted off to far-flung locations, landing in situations fraught with danger. Whether on the trail of “hot” diamonds in Argentina, smashing an international marriage racket in Lisbon, tracking down stolen planes for atomic energy in Monte Carlo, or recovering a cholera virus in Guatemala, Thurston always knew he was working for the right side. Pegon Zellschmidt (portrayed by Leon Belasco) was Thurston’s nemesis, out to beat him to the target and sell the proceeds on the black market for the highest price. Yet despite his mercenary streak, Pegon also assisted Thurston in his adventures and played the role of comic sidekick. But make no mistake; if a higher bidder emerged, Pegon would certainly have sold Thurston straight down the river. The Man Called X started out like many radio programs of the era, as a summer replacement to fill a gap in the schedule for a sponsor unwilling to relinquish their block programming. Early episodes offered standard detective fare, but then the plot lines began to shift to favor stories about Nazi attempts to sabotage U.S. interests. By the late 1940s, the time of the so-called “Red Scare” espionage and Soviet infiltration, the villains became Communists and Thurston foiled their plans — sometimes publicly exposing American traitors. In the Spring of 1951, the program’s star, screen actor Herbert Marshall, suffered a pulmonary embolism following surgery. Van Heflin, Joseph Cotton, and John Lund each took on the role of Thurston for a single episode, and after a short time, Marshall was well enough to return — by this time, the radio series only had an additional year — bowing out in 1952. In 1956, ZIV Productions assembled 39 half-hour films adapted from radio scripts for television sydication, with Barry Sullivan in the role of Ken Thurston. DID YOU KNOW? British-born actor Herbert Marshall lost a leg during active service on the Western Front in World War I. You can notice a slight limp in many of his film including Foreign Correspondent (1940), The Letter (1940), The Razor’s Edge (1946) and The Fly (1958). $400 VALUE – YOURS FOR ONLY $100 — SPECIAL BLOW-OUT SALE ON 50 AUDIO CDS OF 100 CLASSIC RADIO SHOWS!!!
LEND ME YOUR EARS by Lisa Wolf
“Eye of the Tiger” by Survivor
When Sylvester Stallone was putting together Rocky III, he knew he needed a song that could match the film’s intensity—something that felt like pure adrenaline. He initially wanted to use Another One Bites the Dust by Queen, but when that didn’t work out, he turned to Survivor.
The band watched an early cut of the film and got to work. What they came up with wasn’t just a song—it was a pulse. From the opening guitar riff, “Eye of the Tiger” locks into a rhythm that feels like forward motion itself, perfectly mirroring Rocky’s return to form.
Released in 1982, the song quickly became inseparable from the movie. It topped the charts, earned an Academy Award nomination, and won the Grammy for Best Rock Performance. More than that, it defined the training montage—the gold standard for cinematic momentum.
What’s interesting is how directly the lyrics align with the film. Lines like “Risin’ up, back on the street” aren’t subtle—they track Rocky’s journey almost beat for beat. But that clarity is exactly why it works. There’s no distance between the story and the song; they move together.
Alongside Stallone’s performance, the music gave Rocky III an edge that felt bigger, faster, and more modern than its predecessors. It didn’t just support the film—it amplified it.
Over time, “Eye of the Tiger” has taken on a life far beyond the ring. It’s become shorthand for determination, resilience, and the moment before a comeback. But like “Mrs. Robinson” before it, its power is rooted in that original pairing—when the right song met the right film, and both came out stronger for it.
HOLLYWOOD 360 Broadcast Schedule for July, 2026 (episodes subject to change):
THE GREAT GILDERSLEEVE 6/9/46 Fourth of July Show w/ Hal Peary
SUSPENSE 11/2/44 The Singing Walls w/ Van Johnson
MY FAVORITE HUSBAND 6/11/50 Liz Learns to Swim w/ Lucille Ball and Richard Denning
THE MAN CALLED X 2/24/51 A Tiny Bit of Microfilm w/ Herbert Marshall
THE SCREEN GUILD PLAYERS 6/3/46 Lightnin’ w/ George Murphy (host) and Harry Davenport
7/11/26
THE ADV. OF SAM SPADE, DETECTIVE 4/10/49 The Stopped Watch Caper w/ Howard Duff
THE WHISTLER 8/29/42 The Letter w/ Joseph Kearns and Lou Merrill
THE BING CROSBY SHOW 5/28/52 w/ Bing Crosby and guest, Judy Garland
STRAIGHT ARROW 5/6/48 Stage From Calvados w/ Howard Culver
ESCAPE 2/11/51 The Killer Mine w/ John Dehner
7/18/26
INNER SANCTUM 4/17/50 Beneficiary Death w/ Paul McGrath (host)
THE JACK BENNY PROGRAM 5/30/54 Jack Buys a Suit w/ Jack and all his gang
ROCKY JORDAN 4/3/49 Portrait of Rocky w/ Jack Moyles
FRONTIER GENTLEMAN 4/13/58 The Trial w/ John Dehner
THE HALLS OF IVY 2/17/50 The Chinese Student w/ Ronald and Benita Colman
7/25/26
YOURS TRULY, JOHNNY DOLLAR 6/23/57 The Parley Barron Matter w/ Bob Bailey
THE ADV. OF OZZIE & HARRIET 6/18/54 The Grammarian w/ Ozzie and Harriet Nelson
GUNSMOKE 6/4/55 Jealousy w/ William Conrad
THE BLACK MUSEUM 1952 The Open-Ended Wrench w/ Orson Welles
THE ABBOTT & COSTELLO SHOW 4/19/45 Charm School w/ Bud Abbott and Lou Costello
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